lakṣmīr ārye niṣaṇṇā caturudadhipayaḥsīmayā sārdham urvyā
bhṛtyā mitrāṇi yodhāḥ Kurukulam akhilaṁ dagdham etadraṇāgnau
nāmaikaṁ yad bravīṣi kṣitipa tad adhunā Dhārtarāṣṭrasya çeṣam.
'His body is cast upon the ground; his blood is smeared as sandal paste on Bhīma's limbs; the goddess of fortune, with the earth bounded by the waters of the four oceans, rests on my noble brother's lap; servants, friends, warriors, the whole house of the Kurus has been burned in this fire of battle; the name alone, O king, is left of Dhṛtarāṣṭra's race.' Effective is the appeal which Dhṛtarāṣṭra bids the faithful Sañjaya address to the righteously indignant Açvatthāman:[1]
smarati na bhavān pitaṁ stanyaṁ cirāya sahāmunā
mama ca malinaṁ kṣaumam bālye tvadan̄gavivartanaiḥ
anujanidhanasphītāc chokād atipraṇayāc ca tad –
vikṛtavacane māsmin krodhaç ciraṁ kriyatāṁ tvayā.
'Forget not the milk which thou didst so long drink from the same breast with him; forget not my robe that thy childish feet so often soiled in play; his grief is bitter for the death of the younger brother whom he loved so dearly; be not, therefore, wroth for the unjust words he hath spoken to thee.'
On the other hand, we find in Bhaṭṭa Nārāyaṇa many of the defects of Bhavabhūti, in special the fondness for long compounds both in Prākrit and in Sanskrit prose[2] and the same straining after effect which gives such a description of the battle as that vouchsafed to Draupadī by Bhīma, when she warns him nor to be overrash in battle:[3]
anyonyāsphālabhinnadviparudhiravasāmāṅsamastiṣkapan̄ke
magnānāṁ syandanānām upari kṛtapadanyāsavikrāntapattau
sphītāsṛkpānagoṣṭhīrasadaçivaçivātūryanṛtyatkabandhe
samgrāmaikārṇavāntaḥpayasi vicaritum paṇḍitāh Paṇḍuputrāḥ.
The sons of Pāndu are well skilled to disport in the waters of the ocean of the battle, wherein dance headless corpses to the music of the unholy jackals, that yell in joy as they drink the thick blood of the dead, and the footmen in their valour leap over the chariots that are sunk in the mud of the blood, fat,
