LIVES
OF THE MOST EMINENT PAINTERS,
SCULPTORS, AND ARCHITECTS.
PART FIRST.
CIMABUE, PAINTER, OF FLORENCE.
[1240.———1302.]
The overwhelming flood of evils by which unhappy Italy had been submerged and devastated, had not only destroyed whatever could properly be called buildings, but, a still more deplorable consequence, had totally exterminated the artists themselves,[1] when, by the will of God, in the year 1240, Giovanni Cimabue, of the noble family of that name,[2] was born, in the city of Florence, to give the first light to the art of painting. This youth, as he grew up, being considered by his father and others to give proof of an acute judgment and a clear understanding, was sent to Santa Maria Novella to study letters under a relation, who was then master in grammar to the novices of that convent. But Cimabue, instead of devoting himself to letters, consumed the whole day in drawing men, horses, houses, and other various fancies, on his books and different papers,—an occupation to which he felt himself impelled by nature ; and this natural inclination was favoured by fortune, for the governors of the city had invited certain Greek painters to Florence, for the purpose of restoring the art of painting, which had not merely degenerated, but was altogether lost. These artists, among other works, began to paint the chapel of the Gondi, situate next the principal chapel, in Santa Maria Novella,[3] the roof and walls of which are now almost entirely destroyed by time,
- ↑ An extravagant exaggeration. But Vasari himself, recalling to mind the different sculptors, architects, and painters, who were exercising their art when Cimabue was born, has virtually retracted these expressions, against which many writers have protested. See Lanzi, History of Painting. London, 1847.
- ↑ Called also Gualtieri. See Baldinucci, vol. i.
- ↑ For the various opinions respecting these Greek or Byzantine works, see Rumohr, Ital. Forsch., Lanzi, History of Painting, etc.
