Page:Vasari - Lives of the Most Excellent Painters, Sculptors, and Architects, volume 1.djvu/277

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spinello aretino.
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There is a painting, moreover, by the hand of Spinello, on one of the walls of the hospital of the Spirito Santo; it represents the Holy Ghost descending on the apostles, and is a very fine work; the same may be said of the two paintings beneath this descent of the Holy Spirit, where SS. Cosimo and Damiano are represented cutting off the sound leg of a dead Moor, to apply it to the body of a patient from whom they have just taken an injured limb. The NoU me tangere also, which is between these two paintings, merits equally to be praised, and is exceedingly beautiful.[1] Spinello likewise painted an admirable Annunciation for the Brotherhood of the Puracciuoli,[2] on the piazza of Sant Agostino; it will be found in one of the chapels: the colouring of this work is beautiful, and in the cloister of the same convent Spinello executed a Virgin in fresco, with St. James, and St. Anthony. On his knees before these figures is a soldier armed, with these words “Hoc opus fecit fieri Clemens Pucci di Monte Catino, cujus corpus jacet
hic, etc. Anno Domini 1367, die 13 mensis Maii.”[3] The picture, in the same church, representing St. Anthony with other saints, is also perceived, by the manner, to be from the hand of Spinello, who shortly afterwards painted, at the hospital of San Marco (which building has now been given to the nuns of Santa Croce, their convent, which was outside of the city, having been demolished), an entire portico, with many figures, among whom he has placed the portrait of Pope Gregory IX, taken from nature, and representing the Pontiff St. Gregory standing beside a Misericordia.[4]

The chapel of SS. Jacopo and Filippo, in the church of San Domenico, in the same city (Arezzo), the first chapel, that

  1. These paintings of the hospital are now almost entirely obliterated. Ed. Flor. 1832.
  2. This Brotherhood is that which takes charge of foundlings, and infants otherwise friendless. The Annunciation is still preserved. — Rom. Ed. and that of 1846.
  3. The figure of the soldier still remains. Of the inscription, a more accurate copy has been furnished to us by the courtesy of the sculptor, Signor Ranieri Bartolini:—“Hoc opus fecit fieri Clemens Pucci di Monte Catino, cujus corpus jacit hic tumulatum, SS. Jesu Christi anni Domini mccclxxvii, die xv mensis Martii.” Vasari is therefore in error, both as regards the year and month.—Ed. Flor. 1846.
  4. These paintings have perished. — Masselli.