Page:Vasari - Lives of the Most Excellent Painters, Sculptors, and Architects, volume 1.djvu/140

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lifes of the artists.

senting events from the life of the bishop, and exhibiting a multitude of small figures, nor will I refuse the labour of describing these historical representations, that my readers may see with what patience these sculptors laboured, and how earnestly they sought the true path to excellence.

The first represents the bishop, when, aided by the Ghibellines of Milan, who sent him money and four-hundred workmen, he rebuilt the walls of Arezzo entirely anew, extending them greatly, and giving them the form of a galley. In the second relief is the taking of Lucignano di Valdichiana ; in the third, that of Chiusi ; in the fourth, that of Fronzoli, then a strong fortress, situate above Poppi, and held by the sons of the Count of Battifolle. The fifth shows the castle of Rondine, when it was finally surrendered to the bishop, after being besieged for many months by the Aretines. The sixth represents the taking of the castle of Bucine, in the Valdarno. The seventh exhibits the fortress of Caprese, taken by storm, which event occurred under the command of the Count of Romena, after a siege of several months. In the eighth, is the bishop causing the castle of Laterino to be demolished, and the hill which rises above it, to be cut into the form of a cross, that no fortress might thenceforward be raised on the site. In the ninth, he is seen destroying Monte Sansovino, which he gives to the flames, after driving forth the inhabitants. In the eleventh is the coronation of the bishop, and here are seen many richly habited soldiers, both horse and foot, with other figures in large numbers. Finally, in the twelfth, the bishop’s servants are shown carrying him from Montenero, where he fell sick, to Massa, and thence, afterwards, when he was dead, to Arezzo. The tomb is further adorned in various places with Ghibelline insignia, and the arms of the bishop, which are six square blocks of stone, or, in a field azure,

    the form of an old man, is kneeling before Guido. 4. The Commune in Signoria ; here the old man of the preceding scene is seated, in the tribunal with the Bishop. 5. The building of the walls of Arezzo. 6. Taking of the Castle of Lucignano. 7. Taking of Chiusi in the Casentino. 8. Taking of Fronzole. 9. Taking of Castle Focognano. 10. Taking of Rondina. 11. Taking of Bucine in Valdambra. 12. Taking of Caprese. 13. Destruction of Laterina. 14. Ruin and Conflagration of Monte Sansovino. 15. Coronation—not of the Bishop, as Vasari has it—but of Louis the Bavarian. 16. Death of Bishop Guido.