VARIED TYPES
plated, the more they tend to unify themselves and therefore to simplify themselves. The simplification of anything is always sensational. Thus monotheism is the most sensational of things: it is as if we gazed long at a design full of disconnected objects, and, suddenly, with a stunning thrill, they came together into a huge and staring face.
Few people will dispute that all the typical movements of our time are upon this road towards simplification. Each system seeks to be more fundamental than the other; each seeks, in the literal sense, to undermine the other. In art, for example, the old conception of man, classic as the Apollo Belvedere, has first been attacked by the realist, who asserts that man, as a fact of natural history, is a creature with colourless hair and a freckled face. Then comes the Impressionist, going yet deeper, who asserts that to his physical eye, which alone is certain, man is a creature with purple hair and a grey face. Then comes the Symbolist, and says that to his soul, which alone is certain, man is a creature with green hair and
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