through the virtue of contrast, the cryptomerias and mountains greener, the waters and skies bluer, and besides, the human soul intenser. I am happy in my coming to Nikko in the month of May when the beauty of Nature quickens itself from the pain of passing Spring, and with the sunlight that overflows from the bosom of hope; your appreciation of Nikko would not be perfect till you see the wealth and grandeur of Nature’s greenness; it is the beauty of cryptomerias and waters rather than that of the temples. And you will feel encouraged when you observe the real fact, how even the barbarity of human work can calm down before Nature, and happier still how they can form a good friendship with one another for creating the one perfect art known as Nikko. I am glad to see the proof of power of a Japanese landscape artist who could use his art on a large scale as I see it here, not merely in a small city garden; my mind, which was slightly upset from the artistic confusion of the temples belonging to Iyeyasu the Great, soon recovered its original serenity in seeing the most beautiful arrangement of temples of Iyemitsu, the Third
