to fix the final place for the colour-print artists in our art, we have the same question, we believe, on Whistler; and as we find many reasons to deny the title of greatness to the former, the latter, too, may net have been great. I know how charmed, and again bewildered, we are when we are alone with his work face to face, and we think him almost great; but we cannot help perceiving his smallness when we see his work side by side with the work of some greater artists. There is an artist who suddenly gains from being compared; Whistler, however, is rather sad in comparison. So it is with our artists of the Ukiyoye school—for instance, compare Hokusai (that magician of line and design) with Sesshu, or even Okyo. I am told that Whistler’s small physique—he hardly weighed more than 130lb.—was never noticed when he was alone; I think it was so with his art. I agree with Mr. George Moore, who said that Whistler might have been a greater artist if he had been bigger in physique; Mr. Moore says often clever things. To say he was small I do no mean to undervalue him: in fact, smallness or
