Page:The art of kissing (IA artofkissing987wood).djvu/63

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THE ART OF KISSING
61
On purpose laid to make the taker mad;
Mad in pursuit and in possession so;
Had, having, and in quest to have, extreme;
A bliss in proof, and prov'd, a very woe;
Before, a joy propos'd; behind, a dream.
All this the world well knows; yet none knows well
To shun the heaven that leads men to this hell.

The other side of the picture—and the usual truth lies somewhere between them—is far brighter:

Let me not to the marriage of true minds
Admit impediments. Love is not love
Which alters when it alteration finds,
Or bends with the remover to remove.
O, no! It is an ever-fixed mark
That looks on tempests and is never shaken;
It is a star to every wandering bark,
Whose worth's unknown, although his height be taken.
Love's not Time's fool, though rosy lips and cheeks
Within his bending sickle's compass come;
Love alters not with his brief hours and weeks,
But bears it out even to the edge of doom.
If this be error and upon me prov'd,
I never writ, nor no man ever lov'd.

Your kiss may lead to the first drab ending, to the second over-idealistic Eden, or to some pleasant place between. In any case, to remain unkissing and unkissed is to remain something less than man or woman. Your aim should rather be to blossom to your full stature in the gardens of mankind: and a mouth was made for more than words.