Page:The art of kissing (IA artofkissing987wood).djvu/30

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THE ART OF KISSING

are seated, the same rule applies for the two arms; unless you are so sure of your ground that you can place the two hands respectfully on her two cheeks, thereby tilting her face to the proper angle. Then without hurrying, bring your lips up until they meet hers. Keep your lips closed: make the kiss chaste, respectful, and not too long. Its purpose, in other words, is not to frighten the timid unkissed darling.

Even if you are bored with these slow preliminaries, remember what is in store for you, and let your face register intense pleasure. Let your expression say, either that this is the first kiss you have ever had, and that you already feel transported to Paradise; or that, if you ever kissed before, you have forgotten everything in the universe except this particular girl and her particular kiss. Actually act, at the moment that the kiss is completed, as if that is all you expected from the girl. For the moment that is what she will actually feel. Quickly enough, she will feel differently.

Only in the rarest cases is it wise to stop with one kiss. Better let both of you miss a trip to Europe, than stop at this point. Normally, you will still continue to let your arms and hands touch her as intimately as possible. A reassuring pressure of your fingers upon her arms, a head bowed, and, in cases, a murmured "I'm sorry, darling! I didn't really mean to—" . . . anything to restore her confidence in you, all these come in handy. Then artistically begin to lose control of yourself. Her cheeks next—they must be kissed—oh, so respectfully! A little kiss-nibble at the corner of her mouth tastes