his wife, the high-born and wealthy heiress, Lady Diana de Vere, a beauty included—as I have already observed,—in the Kneller collection at Hampton Court. He died intestate in 1726. His widow survived till 1742. The title still exists—and has been in our own time rather conspicuously before the public from the enormous wealth of the late Harriet, Duchess of St. Alban's, widow of Coutts the banker, but originally known, and favourably too, upon the comic boards. Not unlike in many points were Eleanor Gwyn and Harriet Mellon. The fathers of both were in the army, and both never knew what it was to have a father. Both rose by the stage,—both had wealthy admirers—and both were charitable and generous. Here, however, the parallel ceases. Harriet was no wit,—nor, with all respect for Mr. Coutts's taste, can we well believe that she ever had been a beauty.
There are many portraits of Nell Gwyn—few heads of her time make a more profitable traffic among dealers. Yet very few are genuine. She sat to Lely, to Cooper, and to Gascar. An "unfinished" portrait of her was sold at Sir Peter Lely's sale to Hugh May, for £25.[1] No. 306 of King James II.'s
- ↑ Accounts of Roger North, the executor of Lely. Addit. MS. in Brit. Mus. 16,174.
