Page:The Song of Songs (1857).djvu/116

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the present world to be with him in glory; chap. ii. 8-17, as by the beauty of heaven; chap. iii. 1-11, by the splendour of the reception awaiting them there, as well as by the grandeur of the conveyance thither; chap. v. 1-vii. 9, and by his love for them, which remains constant even amidst their greatest neglect.

The third section, Chap. vii. 10-viii. 14, describes the effects which these manifestations of love produce on the heart of saints; chap. vii. 10, assurance of hope; 11, desire to be much alone in communion with Christ; 12, their engagement in labours of love; 13, consecration to him of all their gifts; chap. viii. 1, 2, a desire that everything interposing between Christ and them may be removed; 3, 4, their avoidance of everything that would cause the withdrawal of Christ's love; 5, the pleasing consciousness of leaning on Jesus, and of being upheld by his everlasting arm; 6, their desire to be constantly near him, and sustained by his power, and willingness to make every sacrifice for him; 7, their conviction of the insufficiency of everything the world could offer to tempt them from Christ; 8-10, their interest for the salvation of the impenitent; 12, the sense of their accountability as stewards of God; 13, the privilege of continual access to the throne of grace; 14, desire for the completion of their redemption, and for the perfecting of their love to Christ, and of his to them, by the prospect of his second coming.[1]

From the analysis of the three latest commentaries upon this book, it will be perceived that allegorical interpreters, even to this day, differ in their views of its application and design.

1854. After quitting the bewildering maze of allegorism, it is cheering to come to the commentary of Meier, in which the view that this poem celebrates the victory of virtuous love in humble life over the allurements of royalty is defended.[2]

  1. A Commentary on the Song of Solomon, by the Rev. George Burrowes, Professor in Lafayette College, Easton, Pa. Philadelphia, 1853, pp. 87-90.
  2. Das Hohe Lied in deutscher Uebersetzung, Erklärung, und kritischer Textausgabe, von Ernst Meier, Professor der Morgenländischen Sprachen. Tübingen, 1854.