Page:The Sanskrit Drama.djvu/310

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Subject-Matter and Plot
305

fingers, the thumb and ring finger being curved inwards. Or, it is possible to avoid bringing on a person by speaking in the air (ākāçabhāṣita), pretending to hear the reply, and repeating it before answering it, while a similar purpose can be served by a voice from behind the scene.

The number of Acts which a play should contain varies according to the nature of the drama; in the Nāṭaka the number must be at least five, and may be ten; in other cases one Act suffices. Normally the Acts are simply numbered; in some cases, as in that of the Mṛcchakaṭikā, names are given, doubtless not by the poet.

4. The Characters

The hero owes his name, Nāyaka, to the fact that it is he who leads () the events to the conclusion which he has set before him, in so far as such a result is permitted by human frailty and the force of circumstances. His good qualities are innumerable[1]; he must be modest as is Rāma in depreciating his own prowess in comparison with that of Paraçurāma whom he has vanquished; handsome, generous like Jīmūtavāhana, prompt and skilled in action, affable, beloved of his people, of high family, ready of speech, and steadfast. He must be young, and endowed with intelligence, energy, a good memory, skill in the arts, and just pride; a hero, firm, glorious, skilled in the sciences, and an observer of law. More useful is the distinction drawn between types of hero[2]; all are noble or self-controlled (dhīra), a characteristic not universally found in heroines, but they are distinguished as light-hearted or gay (lalita), calm (çānta) exalted (udātta), and haughty or vehement (uddhata).

The light-hearted hero is one free from care, a lover of the arts, and above all a devotee of love; he is normally a king whose public burdens are confided to others, and whose one business it is to secure union with a new favourite by overcoming the obstacles interposed by the not unnatural jealousy of his queen or queens; such beyond all is Vatsa in Bhāsa and Harṣa's dramas. The calm hero differs primarily from the light-hearted hero by reason of his birth, for he is a Brahmin or merchant, such

  1. DR. ii. 1; SD. 64; R. i. 61 ff.
  2. N. xxiv. (Hall, xxxiv.) 4-6; DR. ii. 3-5; SD. 67-9; R. i. 72-8.