learns that Kaikeyī's ruse had been induced by the curse of an ascetic, whose son Daçaratha had unwittingly slain, and that she had but meant to ask for a banishment of fourteen days, but had by a slip said years. He sends his army to aid Rāma, who ultimately defeats Rāvaṇa, and recovers Sītā. He brings her with him to Janasthāna, where he is begged to resume his kingdom; all then go by the magic car Puṣpak to Ayodhyā. The seven acts of the play are matched by the six of the Abhiṣekanāṭaka,[1] the drama of the consecration of Rāma which follows, like its predecessor, the Rāmāyaṇa. It tells of Vālin's death at the hands of Rāma; Hanumant's success in reaching Lānkā and in comforting Sītā and affronting Rāvaṇa. Vibhīṣaṇa advises the coercion of the ocean to attain a passage for the army; Rāvaṇa vainly seeks to win Sītā, showing her in appearance the heads of Rāma and Lakṣmaṇa, but she repudiates his advances; he is compelled to fight, and the play ends with Rāma's coronation. The epic apparently has weighed too heavily on the author, whose resource in incident is remarkable by its absence.
A far more favourable opportunity is afforded to Bhāsa when he derived his story from the Kathā literature,[2] as is doubtless the case in the Avimāraka, a drama in six acts. The daughter of king Kuntibhoja, the young Kuran̄gī, is saved from an elephant by an unknown youth, who, in reality son of the Sauvīra king, is with his father living as a member of a degraded caste for a year, as the outcome of a curse. His low status forbids his aspiring to the princess, but love triumphs, and the maidens of Kuran̄g, arrange a secret meeting to which the youth comes in the guise of a thief. But the news leaks out and he must fly; in despair of reunion he seeks death in the fire, but Agni repulses him; he would have thrown himself from a rock, but a Vidyādhara dissuades him, giving him a ring which enables him unseen to re-enter the palace and save Kuran̄gī, likewise desolated, from suicide. The way for a happy issue from the impasse is found by the fact that Nārada reveals the true history of Avimāraka; he is not in fact the son of the Sauvīra king; he is the son of the god Agni by Sudarçanā, the wife of the king of Kāçi, who
