Page:The Plutocrat (1927).pdf/44

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It was traceable, however, not to a censer, but to the bridge table and a cigarette in a remarkable holder of yellow ivory and green jade poised in the interesting long white hand of one of the players. Ogle had never felt anything except pitying amazement for a person who smoked scented cigarettes; but his first glance at this lady destroyed a lifelong prejudice against them; she was instantly of so compelling a presence.

In the dark-walled room with its dark furniture she was as conspicuous as a tall lady in a Sargent portrait. She had a long face, long limbs, a long body; but all with a slender amplitude and no meagreness. Her long aquiline face was not thin, but sleekly contoured, like her vivid hair which seemed to be composed of long, pale bronze threads laid close to one another and polished to a soft brilliancy. And with her length she had grace; her long gestures, as she played, were exquisitely accurate and restrained—Ogle immediately found the word "musical" to describe them—and she sat beautifully poised in her chair, neither resting against its back nor leaning forward to the card table. Moreover, he was as pleased with what she wore as with her grace and lengthiness; a high distinction being