Page:The Novels of Ivan Turgenev (volume XV).djvu/16

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INTRODUCTION

he stands as a great classic in the ranks of the great novelists, along with Richardson, Fielding, Scott, Balzac, Dickens, Thackeray, Meredith, Tolstoi, Flaubert, Maupassant, he is the greatest of them all, in the sense that he is the supreme artist. As has been recognised by the best French critics, Turgenev's art is both wider in its range and more beautiful in its form than the work of any modern European artist. The novel modelled by Turgenev's hands, the Russian novel, became the great modern instrument for showing 'the very age and body of the time his form and pressure.' To reproduce human life in all its subtlety as it moves and breathes before us, and at the same time to assess its values by the great poetic insight that reveals man's relations to the universe around him,—that is an art only transcended by Shakespeare's own in its unique creation of a universe of great human types. And, comparing Turgenev with the European masters, we see that if he has made the novel both more delicate and more powerful than their example shows it, it is because as the supreme artist he filled it with the breath of poetry where others in general spoke the word

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