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THE MYSTERY OF THE BLUE TRAIN

"Don't think it," said Katherine; "try to pull yourself together. You could send your father a wire from Paris, if you like, and he would come to you at once."

The other brightened.

"Yes, I could do that. Dear old Dad. It is queer— but I never knew until to-day how terribly fond of him I am." She sat up and dried her eyes with a handkerchief. "I have been very foolish. Thank you so much for letting me talk to you. I don't know why I got into such a queer, hysterical state."

She got up. "I am quite all right now. I suppose, really, I just needed some one to talk to. I can't think now why I have been making such an absolute fool of myself."

Katherine got up too.

"I am so glad you feel better," she said, trying to make her voice sound as conventional as possible. She was only too well aware that the aftermath of confidences is embarrassment. She added tactfully:

"I must be going back to my own compartment."

She emerged into the corridor at the same time as the maid was also coming out from the next door. The latter looked towards Katherine, over her shoulder, and an expression of intense surprise showed itself on her face. Katherine turned also, but by that time whoever it was who had aroused the maid’s interest had retreated into his or her compartment, and the corridor was empty. Katherine walked down it to regain her own place, which was in the next coach. As she passed the end compartment the door opened and a woman’s face looked out for a moment and then pulled the door to sharply. It was a face not easily forgotten, as