Page:The Better Sort (New York, Charles Scribners Sons, 1903).djvu/33

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BROKEN WINGS

told her everything now, kept as little back as she had kept at their previous meeting, while she repeated over and over, "You—wonderful you?" as if the knowledge made a deeper darkness of fate, as if the pain of his having come down at all almost quenched the joy of his having come so much nearer. When she learned that he had not for three years sold a picture—"You, beautiful you?"—it seemed a new cold breath out of the dusk of her own outlook. Disappointment and despair were in such relations contagious, and there was clearly as much less again left to her as the little that was left to him. He showed her, laughing at the long queerness of it, how awfully little, as they called it, this was. He let it all come, but with more mirth than misery, and with a final abandonment of pride that was like changing at the end of a dreadful day from tight boots to slippers. There were moments when they might have resembled a couple united by some misdeed and meeting to decide on some desperate course; they gave themselves so to the great irony—the vision of the comic in contrasts—that precedes surrenders and extinctions.

They went over the whole thing, remounted the dwindling stream, reconstructed, explained, understood—recognised, in short, the particular example they gave, and how, without mutual suspicion, they had been giving it side by side. "We're simply the case," Straith familiarly put it, "of having been had enough of. No case is perhaps more common, save that, for you and for me, each in our line, it did look in the good time—didn't it?—as if nobody could have enough." With which they counted backward, gruesome as it was, the symptoms of satiety up to the first dawn, and lived again together the unforgettable hours—distant now—out of which it had begun to glimmer that the truth had to be faced and the right names given to the wrong facts. They laughed at their original explana-

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