Page:The Better Sort (New York, Charles Scribners Sons, 1903).djvu/253

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THE BEAST IN THE JUNGLE

not yet known on the low stone table that bore May Bartram's name. He rested without power to move, as if some spring in him, some spell vouchsafed, had suddenly been broken forever. If he could have done that moment as he wanted he would simply have stretched himself on the slab that was ready to take him, treating it as a place prepared to receive his last sleep. What in all the wide world had he now to keep awake for? He stared before him with the question, and it was then that, as one of the cemetery walks passed near him, he caught the shock of the face.

His neighbour at the other grave had withdrawn, as he himself, with force in him to move, would have done by now, and was advancing along the path on his way to one of the gates. This brought him near, and his pace was slow, so that—and all the more as there was a kind of hunger in his look—the two men were for a minute directly confronted. Marcher felt him on the spot as one of the deeply stricken—a perception so sharp that nothing else in the picture lived for it, neither his dress, his age, nor his presumable character and class; nothing lived but the deep ravage of the features that he showed. He showed them—that was the point; he was moved, as he passed, by some impulse that was either a signal for sympathy or, more possibly, a challenge to another sorrow. He might already have been aware of our friend, might, at some previous hour, have noticed in him the smooth habit of the scene, with which the state of his own senses so scantly consorted, and might thereby have been stirred as by a kind of overt discord. What Marcher was at all events conscious of was, in the first place, that the imaged of scarred passion presented to him was conscious too—of something that profaned the air; and, in the second, that, roused, startled, shocked, he was yet the next moment looking after it, as it went, with envy. The most extraordinary thing that had happened

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