Concert Champêtre affair,—a question of disputed authorship, as it were."[1]
Markham abruptly suspended the motion of lifting his cigar to his lips. He had scarcely intended his challenge literally: it had been uttered more in the nature of a verbal defiance; and he scrutinized Vance a bit uncertainly. Little did he realize that the other's casual acceptance of his unthinking and but half-serious challenge, was to alter the entire criminal history of New York.
"Just how do you intend to proceed?" he asked.
Vance waved his hand carelessly.
"Like Napoleon, je m'en gage, et puis je vois. However, I must have your word that you'll give me every possible assistance, and will refrain from all profound legal objections."
Markham pursed his lips. He was frankly perplexed by the unexpected manner in which Vance had met his defiance. But immediately he gave a good-natured laugh, as if, after all, the matter was of no serious consequence.
"Very well," he assented. "You have my word. . . . And now what?"
After a moment Vance lit a fresh cigarette, and rose languidly.
"First," he announced, "I shall determine the exact height of the guilty person. Such a fact will, no doubt, come under the head of indicat'ry evidence—eh, what?"
- ↑ For years the famous Concert Champêtre in the Louvre was officially attributed to Titian. Vance, however, took it upon himself to convince the Curator, M. Lepelletier, that it was a Giorgione, with the result that the painting is now credited to that artist.
