of the Carracci, who sweetened the severity of Leonardo and made it at once intimate and decadent. Her eyes were dark and widely spaced; her nose was delicate and straight, and her forehead broad. Her full sensuous lips were almost sculpturesque in their linear precision, and her mouth wore an enigmatic smile, or hint of a smile. Her rounded firm chin was a bit heavy when examined apart from the other features, but not in the ensemble. There was poise and a certain strength of character in her bearing; but one sensed the potentialities of powerful emotions beneath her exterior calm. Her clothes harmonized with her personality: they were quiet and apparently in the conventional style, but a touch of color and originality here and there conferred on them a fascinating distinction.
Markham rose and, bowing with formal courtesy, indicated a comfortable upholstered chair directly in front of his desk. With a barely perceptible nod, she glanced at the chair, and then seated herself in a straight armless chair standing next to it.
"You won't mind, I'm sure," she said, "if I choose my own chair for the inquisition."
Her voice was low and resonant—the speaking voice of the highly trained singer. She smiled as she spoke, but it was not a cordial smile: it was cold and distant, yet somehow indicative of levity.
"Miss St. Clair," began Markham, in a tone of polite severity, "the murder of Mr. Alvin Benson has intimately involved yourself. Before taking any definite steps, I have invited you here to ask you a few questions. I can, therefore, advise you quite
