points: Kent’s comparison of Goneril to the figure of Vanity in the Morality plays (II. ii. 38); the Fool’s apparently quite irrelevant remark (though his remarks are scarcely ever so), ‘For there was never yet fair woman but she made mouths in a glass’ (III. ii. 35); Kent’s reference to Oswald (long before there is any sign of Goneril’s intrigue with Edmund) as ‘one that would be a bawd in way of good service’ (II. ii. 20); and Edgar’s words to the corpse of Oswald (IV. vi. 257), also spoken before he knew anything of the intrigue with Edmund,
As duteous to the vices of thy mistress
As badness would desire.
Perhaps Shakespeare had conceived Goneril as a woman who before her marriage had shown signs of sensual vice; but the distinct indications of this idea were crowded out of his exposition when he came to write it, or, being inserted, were afterwards excised. I will not go on to hint that Edgar had Oswald in his mind when (III. iv. 87) he described the servingman who ‘served the lust of his mistress’ heart, and did the act of darkness with her’; and still less that Lear can have had Goneril in his mind in the declamation against lechery referred to in Note S.
I do not mean to imply, by writing this note, that I believe in the hypotheses suggested in it. On the contrary I think it more probable that the defects referred to arose from carelessness and other causes. But this is not, to me, certain; and the reader who rejects the hypotheses may be glad to have his attention called to the points which suggested them.
NOTE U.
MOVEMENTS OF THE DRAMATIS PERSONÆ IN ACT II. OF KING LEAR.
I have referred in the text to the obscurity of the play on this subject, and I will set out the movements here.
When Lear is ill-treated by Goneril his first thought is to seek refuge with Regan (I. iv. 274 f., 327 f.). Goneril, accord-
