of the Witches. If we follow his story this will be evident.
He bore a part only less distinguished than Macbeth’s in the battles against Sweno and Macdonwald. He and Macbeth are called ‘our captains,’ and when they meet the Witches they are traversing the ‘blasted heath’[1] alone together. Banquo accosts the strange shapes without the slightest fear. They lay their fingers on their lips, as if to signify that they will not, or must not, speak to him. To Macbeth’s brief appeal, ‘Speak, if you can: what are you?’ they at once reply, not by saying what they are, but by hailing him Thane of Glamis, Thane of Cawdor, and King hereafter. Banquo is greatly surprised that his partner should start as if in fear, and observes that he is at once ‘rapt’; and he bids the Witches, if they know the future, to prophesy to him, who neither begs their favour nor fears their hate. Macbeth, looking back at a later time, remembers Banquo’s daring, and how
When first they put the name of king upon me,
And bade them speak to him.
‘Chid’ is an exaggeration; but Banquo is evidently a bold man, probably an ambitious one, and certainly has no lurking guilt in his ambition. On hearing the predictions concerning himself and his descendants he makes no answer, and when the Witches are about to vanish he shows none of Macbeth’s feverish anxiety to know more. On their vanishing he is simply amazed, wonders if they were anything but hallucinations, makes no reference to the predictions till Macbeth mentions them, and then answers lightly.
When Ross and Angus, entering, announce to Macbeth that he has been made Thane of Cawdor,
- ↑ That it is Macbeth who feels the harmony between the desolation of the heath and the figures who appear on it is a characteristic touch.
