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PUNCH, OR THE LONDON CHARIVARI.
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"See 'im? Well, when 'e sez 'Oo goes there?' if you're a Englishman you 'as to say 'Friend!' and if you're a German you 'as to say 'Foe!'"



OUR BOOKING-OFFICE.

(By Mr. Punch's Staff of Learned Clerks.)

One aspect of the present problem (as this sounds a little too like a leading article, I should explain that I mean the Christmas present problem) has this year been very satisfactorily settled. Everybody buys some books at this time; and when you know that for two shillings and sixpence you can now purchase the best and most characteristic work of two-score famous writers and artists, and, moreover, that the said half-crown will go to one of the most sensible and practical of all the Funds, naturally Princess Mary's Gilt Book (Hodder and Stoughton) is going to figure large in this year's list of things-not-to-forget. Honestly and without hyperbole, I question if a better collection has ever been brought together. From the first page (on which you will find a charming portrait by Mr. J. J. Shannon of the gracious young lady to whose timely inspiration the volume is due) to the last, everyone seems to have given his or her best. Not only this, but the precise kind of best that we most like to have from them. To take a few examples at random, here is a song of Big Steamers by Mr. Rudyard Kipling, with the jolliest ship-pictures by Mr. Norman Wilkinson; a Zulu tale by Sir Rider Haggard; a Pimpernel story by the Baroness Orczy; and a comic upside-down dream of a little London child by Mr. Pett Ridge. This last has drawings by Mr. Lewis Baumer that are fully worthy of it; indeed it cannot but be a proud sensation for the peculiarly gallant heart of Mr. Punch to find that he is represented by so many of his knights of the pencil in this worthy cause. It is satisfactory. to learn that the originals of the drawings in the book will shortly be on sale at the Leicester Galleries in aid of the Queen's Work for Women Fund. Upon the assured success of a delightful book the reviewer begs to offer to its only begetter his most respectful congratulations.


The Life of Benjamin Disraeli, Earl of Beaconsfield, published by Murray, is the third volume of the work, the two earlier ones having been edited by the late Mr. Moneypenny. Mr. George Buckle now "takes up the wondrous tale," and maintains at a high level its historic interest and literary charm. He finds Disraeli, after the fantastic flights of early manhood, in an assured position. He was within measurable distance of assuming the Leadership of a Party which, long dallying with the harsh appellation Protectionist, now decided to be known as Conservative, a compromise hotly resented by good Tories. A flash of the old vanity flickers over a letter written from the Carlton Club to his wife: "The Ministry have resigned. All Coningsby and Young England the general exclamation here." Alone he did it, partly by writing a novel, incidentally by forming a Party of which Lord John Manners was a representative member. On the opening of the Session, January 19th, 1847, Disraeli took his seat on the Front Opposition Bench in embarrassing contiguity to Peel, acutely suffering, it may be supposed, from the combined influence of Coningsby and Young England. One of those Parliamentary descriptive writers held in light esteem in their day, but to whom historians turn for light and colour, notes a significant change in Disraeli's attire. "The motley coloured garments he wore at the close of the previous Session were exchanged for a suit of black unapproachably perfect." Also "he appeared to have