for example, facing page 93, the wagons, drawn up into formation for a camp, harmonize sternly with the savage-looking cliffs, and their zig-zag arrangement somehow suggests the sharp action of the fight with the Indians which fate holds in store for this very place.
Enough has now been said to illustrate how design in a picture can control our attention during the pauses and arrested moments on the screen, and by so doing can relieve the eyes of unnecessary, wasteful work and give unity and emphasis to the message of the picture. But still other powers reside in design. While it hastens our grasp of meanings, and even accentuates those meanings, it can affect the mind in other ways that are still more important. And if we delve deeper into these ways we shall come out with a clearer vision of the artistic possibilities of the movies.
