Page:ParadiseLost1674CopyB.pdf/4

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So that no room is here for Writers left,
But to detect their Ignorance or Theft.
That Majesty which through thy Work doth Reign
Draws the Devout, deterring the Profane.
And things divine thou treatst of in such state
As them preserves, and thee, inviolate.
At once delight and horrour on us seise,
Thou singst with so much gravity and ease;
And above humane flight dost soar aloft
With Plume so strong, so equal, and so soft,
The Bird nam'd from that Paradise you sing
So never flaggs, but always keeps on Wing.
Where couldst thou words of such a compass, find?
Whence furnish such a vast expence of mind?
Just Heav'n thee like Tiresias to requite
Rewards with Prophesie thy loss of sight.
Well mightst thou scorn thy Readers to allure
With tinkling Rhime, of thy own sense secure;
While the Town-Bayes writes all the while and spells▪
And like a Pack-horse tires without his Bells:
Their Fancies like our Bushy-points appear,
The Poets tag them, we for fashion wear.
I too transported by the Mode offend,
And while I meant to Praise thee must Commend.
Thy Verse created like thy Theme sublime,
In Number, Weight, and Measure, needs not Rhime▪

A. M.

THE VERSE.

THE Measure is English Heroic Verse without Rime, as that of Homer in Greek, and of Virgil in Latin; Rime being no necessary Adjunct or true Ornament of Poem or good Verse, in longer Works especially, but the Invention of a bar|barous Age, to set off wretched matter and lame Meeter; grac't indeed since by the use of some famous modern Poets, carri|ed away by Custom, but much to thir own vexation, hindrance, and constraint to ex|press many things otherwise, and for the most part worse then else they would have exprest them. Not without cause therefore some both Italian and Spanish Poets of prime note have rejected Rime both in longer and shorter Works, as have also long since our best English Trage|dies, as a thing of it self, to all judicious ears, triveal and of no true musical delight; which consists onely in apt Numbers, fit quantity of Syllables, and the sense variously drawn out from one Verse into another, not in the jingling sound of like endings, a fault avoyded by