Ideas of Good and Evil.
musician, I asked him to listen to our verses, and to the way we spoke them. The Visionary found to his surprise that he did not make every poem to a different tune, and to the surprise of the musician that he did make them all to two quite definite tunes, which are, it seems, like very simple Arabic music. It was, perhaps, to some such music, I thought, that Blake sang his Songs of Innocence in Mrs. Williams' drawing-room, and perhaps he, too, spoke rather than sang. I, on the other hand, did not often compose to a tune, though I sometimes did, yet always to notes that could be written down and played on my friend's organ, or turned into something like a Gregorian hymn if one sang them in the ordinary way. I varied more than the Visionary, who never forgot his two tunes, one for long and one for short lines, and could not always speak a poem in the same way, but always felt that certain ways were right, and that I would know one of them
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