Symbolism in Painting.
Blake was perhaps the first modern to insist on a difference; and the other day, when I sat for my portrait to a German Symbolist in Paris, whose talk was all of his love for Symbolism and his hatred for Allegory, his definitions were the same as William Blake's, of whom he knew nothing. William Blake has written, 'Vision or imagination'—meaning symbolism by these words—'is a representation of what actually exists, really or unchangeably. Fable or Allegory is formed by the daughters of Memory.' The German insisted with many determined gestures, that Symbolism said things which could not be said so perfectly in any other way, and needed but a right instinct for its understanding; while Allegory said things which could be said as well, or better, in another way, and needed a right knowledge for its understanding. The one gave dumb things voices, and bodiless things bodies; while the other read a meaning—which had
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