Ideas of Good and Evil.
symbol drawn from the outer world was in itself idolatry, but that to imagine Him as an unpeopled immensity was to think of Him under the one symbol furthest from His essence—it being a creation of the ruining reason, 'generalizing' away 'the minute particulars of life.' Instead of seeking God in the deserts of time and space, in exterior immensities, in what he called 'the abstract void,' he believed that the further he dropped behind him memory of time and space, reason builded upon sensation, morality founded for the ordering of the world; and the more he was absorbed in emotion; and, above all, in emotion escaped from the impulse of bodily longing and the restraints of bodily reason, in artistic emotion; the nearer did he come to Eden's 'breathing garden,' to use his beautiful phrase, and to the unveiled face of God. No worthy symbol of God existed but the inner world, the true humanity, to whose various aspects
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