Ideas of Good and Evil.
him as 'with a door and window shutters,' but the shadows of those who gave them battle. He did now, however, the many designs to Milton, of which I have only seen those to Paradise Regained; the reproductions of those to Comus, published, I think, by Mr Quaritch; and the three or four to Paradise Lost, engraved by Bell Scott—a series of designs which one good judge considers his greatest work; the illustrations to Blair's Grave, whose gravity and passion struggle with the mechanical softness and trivial smoothness of Schiavonetti's engraving; the illustrations to Thornton's Virgil, whose influence is manifest in the work of the little group of landscape-painters who gathered about him in his old age and delighted to call him master. The member of the group, whom I have already so often quoted, has alone praised worthily these illustrations to the first eclogue: 'There is in all such a misty and dreamy glimmer as penetrates and
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