William Blake and his Illustrations.
not upon imagination, which always thirsts for variety and delights in freedom, but upon reasoning from sensation which is always seeking to reduce everything to a lifeless and slavish uniformity; as the popular art of Blake's day had done, and as he understood Sir Joshua Reynolds to advise, was to fall into 'Entuthon Benithon,' or 'the Lake of Udan Adan,' or some other of those regions where the imagination and the flesh are alike dead, that he names by so many resonant phantastical names. 'General knowledge is remote knowledge,' he wrote; 'it is in particulars that wisdom consists, and happiness too. Both in art and life general masses are as much art as a pasteboard man is human. Every man has eyes, nose and mouth; this every idiot knows. But he who enters into and discriminates most minutely the manners and intentions, the characters in all their branches, is the alone wise or sensible man, and on this discrimination
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