Ideas of Good and Evil.
and being in itself a grave and quiet thing it would mingle with the tones of the voices and with the sentiment of the play, without overwhelming them under an alien interest. It would be a new and legitimate art appealing to a taste formed by itself and copying nothing but itself. Mr. Gordon Craig used scenery of this kind at the Purcell Society performance the other day, and despite some marring of his effects by the half-round shape of the theatre, it was the first beautiful scenery our stage has seen. He created an ideal country where everything was possible, even speaking in verse, or speaking in music, or the expression of the whole of life in a dance, and I would like to see Stratford-on-Avon decorate its Shakespeare with like scenery. As we cannot, it seems, go back to the platform and the curtain, and the argument for doing so is not without weight, we can only get rid of the sense of unreality, which most of us feel when we listen to the conven-
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