Ideas of Good and Evil.
head. I cannot think there is any excuse for a half-round theatre, where land is not expensive, or no very great audience to be seated within earshot of the stage; or that it was adopted for a better reason than because it has come down to us, though from a time when the art of the stage was a different art. The Elizabethan theatre was a half-round, because the players were content to speak their lines on a platform, as if they were speakers at a public meeting, and we go on building in the same shape, although our art of the stage is the art of making a succession of pictures. Were our theatres of the shape of a half-closed fan, like Wagner's theatre, where the audience sit on seats that rise towards the broad end while the play is played at the narrow end, their pictures could be composed for eyes at a small number of points of view, instead of for eyes at many points of view, above and below and at the sides, and what is no better than a trade might become an art. With the eyes watching
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