“Of what sort?” we asked.
“In mud. Learning to model it. You see for a story of that sort the first thing needed is a thorough knowledge of mud—all kinds of it.”
“And what are you doing next?” we inquired.
“My next book,” said the Lady Novelist, “is to be a study—tea?—of the pickle industry—perfectly new ground.”
“A fascinating field,” we murmured.
“And quite new. Several of our writers have done the slaughter-house, and in England a good deal has been done in jam. But so far no one has done pickles. I should like, if I could,” added Ethelinda Afterthought, with the graceful modesty that is characteristic of her, “to make it the first of a series of pickle novels, showing, don’t you know, the whole pickle district, and perhaps following a family of pickle workers for four or five generations.”
“Four or five!” we said enthusiastically. “Make it ten! And have you any plan for work beyond that?”
“Oh, yes indeed,” laughed the Lady Novelist. “I am always planning ahead. What I want to do after that is a study of the inside of a penitentiary.”
“Of the inside?” we said, with a shudder.
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