Page:Emma Goldman - The Social Significance of the Modern Drama - 1914.djvu/44

From Wikisource
Jump to navigation Jump to search
This page needs to be proofread.

You know well enough that things don't really happen like that.

Hovstad. You're right there; but an editor

can't always do as he likes. He often has to yield to public opinion in small matters. After all, politics is the chief thing in life—at any rate for a newspaper; and if I want the people to follow me along the path of emancipation and progress, I mustn't scare them away. If they find such a moral story down in the cellar, they're much more willing to stand what is printed above it—they feel themselves safer.

Editors of the stamp of Hovstad seldom dare to express their real opinions. They cannot afford to "scare away" their readers. They generally yield to the most ignorant and vulgar public opinion; they do not set themselves up against constituted authority. Therefore the People's Messenger drops the "greatest man" in town when it learns that the Burgomaster and the influential citizens are determined that the truth shall be silenced. The Burgomaster soundly denounces his brother's "rebellion."

Burgomaster. The public doesn't need new

ideas. The public is best served by the good old recognized ideas that they have already. . . . As an official, you've no right to have any individual conviction.

Dr. Stockmann. The source is poisoned, man!

Are you mad? We live by trafficking in filth and garbage. The whole of our developing social life is rooted in a lie!