Page:Emma Goldman - The Social Significance of the Modern Drama - 1914.djvu/302

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Vaska.. From childhood, I have been—only a thief. . . Always I was called Vaska the pickpocket, Vaska the son of a thief! See, it was of no consequence to me, as long as they would have it so . . . so they would have it. . . . I was a thief, perhaps, only out of spite . . . because nobody cane along to call me anything—thief. . . . You call me something else, Natasha. . . . It is no easy life that I lead—friendless; pursued like a wolf. . . I sink like a man in a swamp . . . whatever I touch is slimy and rotten . . . nothing is firm . . . but you are like a young fir-tree; you are prickly, but you give support.

There is another humane figure illuminating the dark picture in "A Night's Lodging,—Luka. He is the type of an old pilgrim, a man whom the experiences of life have taught wisdom. He has tramped through Russia and Siberia, and consorted with all sorts of people; but disappointment and grief have not robbed him of his faith in beauty, in idealism. He believes that every man, however low, degraded, or demoralized can yet he reached, if we but know how to touch his soul. Luka inspires courage and hope in everyone he meets, urging each to begin life anew. To the, former actor, now steeped in drink, he says:

Luka. The drunkard, I have heard, can now be cured, without charge. They realize now, you see, that the drunkard is also a man. You must begin to make ready. Begin a new life!