Page:Emma Goldman - The Social Significance of the Modern Drama - 1914.djvu/197

From Wikisource
Jump to navigation Jump to search
This page needs to be proofread.

During the visit to their father's factory the Undershaft family makes several discoveries. They learn that the best modern method of accumulating a large fortune consists in organizing industries in such a manner as to make the workers content with their slavery. It's a model factory.

Undershaft. It is a spotlessly clean and beautiful hillside town. There are two chapels: a Primitive one and a sophisticated one. There's even an ethical society; but it is not much patronized, as my men are all strongly religious. In the high explosives sheds they object to the presence of agnostics as unsafe.

The family further learns that it is not high moral precepts, patriotic love of country, or similar sentiments that are the backbone of the life of the nation. It is Undershaft again who enlightens them of the power of money and its role in dictating governmental policies, making war or peace, and shaping the destinies of man.

Undershaft. The government of your country. I am the government of your country: I, and Lazarus. Do you suppose that you and a half a dozen amateurs like you, sitting in a row in that foolish gabble shop, can govern Undershaft and Lazarus? No, my friend: you will do what pays us. You will make war when it suits us, and keep peace when it doesn't. You will find out that trade requires certain measures when we have decided