of his scope as propagandist and as artist. As the propagandist Shaw is limited, dogmatic, and set. Indeed, the most zealous Puritan could not be more antagonistic to social theories differing from his own. But the artist, if he is sincere at all, must go to life as the source of his inspiration, and life is beyond dogmas, beyond the House of Commons, beyond even the "eternal and irrevocable law" of the materialistic conception of history. If, then, the Socialist propagandist Shaw is often lost in the artist Shaw, it is not because he lacks sincerity, but because life will not be curtailed.
It may be contended that Shaw is much more the propagandist than the artist because he paints in loud colors. But that is rather because of the indolence of the human mind, especially of the Anglo-Saxon mind, which has settled down snugly to the self-satisfied notion of its purity, justice, and charity, so that naught but the strongest current of light will make it wince. In "Mrs. Warren's Profession" and "Major Barbara," George Bernard Shaw has accomplished even more. He has pulled off the mask of purity and Christian kindness that we may see their hidden viciousness at work.
MRS. WARREN'S PROFESSION
Mrs. Warren is engaged in a profession which has existed through all the ages. It was at home
