In addition to these must be reckoned turacin, a reddish-purple
pigment consisting of the same elements as zoomelanin,
but remarkable for the fact that it contains from 5 to 8% of
copper, which can be extracted by a weak alkaline solution, such
as ammonia, and with the addition of acetic acid it can be
filtered off as a metallic red or blue powder. The presence of
metallic copper is indicated by the green flame of these red
feathers when burnt. Turacin was discovered by Sir A. H. Church
in the quill-feathers of the wings of Touracoes or “plantain
eaters.” These feathers, he showed, lose their colour after they
have become wet, but regain it on drying. But turacin is not,
as was supposed, confined to the feathers of the plantain eaters,
since it has been obtained from a cuckoo, Dasylophus superciliosus.
What effect food may have on colour in birds in a wild state we have no means of knowing, but it is significant that flamingoes and linnets in confinement never regain their bright hues after their first moult in captivity. If cayenne pepper be mixed with the food of certain strains of canaries, from the time the birds are hatched onwards, the yellow colour of the feathers becomes intensified, till it takes on a deep orange hue. Bullfinches, if fed on hemp-seed, turn black. According to Darwin, the natives of the Amazonian region feed the common green parrot on the fat of large Siluroid fishes, and as a result the feathers become beautifully variegated with red and yellow. Similarly, in the Malay Archipelago, the natives of Gilolo change the colours of another parrot.
With but rare exceptions bright colours are confined to the exposed portions of the plumage, but in some of the Bustards the down is of a bright pink colour.
Structural colours include all metallic or prismatic colours, blue, green, white, some yellows, and, in part, glossy black. In metallic feathers the radii (barbules) are modified in various ways, frequently to form flattened, overlapping plates or tiles, while the surfacesStructural colours. of the plates are either smooth, finely striated or pitted. But, save only in the case of white feathers, beneath this colourless, glazed outer coat there is always a layer of pigment.
The only green pigment known to occur in feathers is turacoverdin, found in the feathers of the plantain eaters; it contains a relatively large amount of iron, but no copper. In all other cases the green colour of feathers is due to yellow, orange or greyish-brown pigment occurring with a special superstructure consisting of narrow ridges, as in some parrots and pittas (ant-thrushes), or the surface of the barbs and barbules is smooth and transparent, while between it and the pigment there exists a layer of small polygonal, colourless bodies having highly refractory, and often striated, surfaces.
Blue is unknown as a pigment in feathers. Blue feathers contain only orange or brownish pigment (Gadow), the blue colour being caused by the combination of pigment corpuscles and colourless striated polygonal bodies, as in green feathers.
While in many birds the coloration takes the form either of a uniform hue or of bands and patches of colour more or less brilliant, in others the coloration is sombre, and made up of dark longitudinal stripes or transverse bars on a lighter ground. The latter is the more primitive, and there seems good reason to believe that longitudinal stripes preceded transverse bars. This is indicated by the fact that the nestlings of the more primitive groups are longitudinally striped, and that young hawks in their first plumage are so striped, while the adults are barred.
There is also evidence to show that the evolution of brilliant plumage began with the males, and has, in many cases, been more or less perfectly acquired by the females, and also by the young, as for example in the kingfishers, where parents and offspring wear the same livery. Often, where the parents are alike in plumage, the young wear a different and duller livery, as in the case of the common starling (Sturnus vulgaris). But where the female differs from the male in coloration the young resemble the female parent.
The physiological explanation of complete disappearance of pigment in adult life, e.g. gannet, is not yet apparent.
At least once annually birds renew their feathers completely by a process known as a moult. Until the new feathers have attained at least half their full length they are invested in a soft sheath, and, as development proceeds, the sheath breaks up from the tip of the Moulting.feather downwards, so that for a time the new feathers have almost a brush-like appearance. Generally this replacement takes place gradually, new and old feathers occurring side by side, and on this account it is not always possible to see whether a moult is proceeding without raising the old feathers.
The “quill” feathers of the wing and tail are renewed in pairs, so that flight is little, if at all, impaired, the change taking place in the wing from the region of the wrist inwards, as to the primaries, and from the body outwards, towards the tip of the wing, as to the secondaries. In certain birds, however, as in the duck tribe and the rails, for example, all the quill-feathers of the wing are shed at once, so that for some time flight is impossible.
In the penguins this simultaneous method of moulting is carried still further. That is to say, the old feathers covering the body are not replaced gradually, but en masse. This method of ecdysis is, however, still further remarkable in that the old feathers do not drop out, to be succeeded by spine-like stumps which, later, split at the tip, liberating the barbs of the new feathers. They are, on the contrary, thrust out upon the tips of the new feathers, the barbs of which are never enclosed within an envelope such as that just described. When their growth has practically completed, and not till then, the old feathers are removed in large patches by the aid of the bird’s beak; exposing thereby a perfectly developed plumage. In the cassowary, and emeu, the old feathers similarly adhere for a time to the tips of the new; but in these birds the feathers are moulted singly as in other birds.
Some birds moult twice within the year, the additional moult taking place in the spring, as in the case of the “warblers” (Sylviidae) and Limicolae, for example. But when this is the case the spring moult is only partial, since the quill feathers of the wings and the tail feathers are not renewed.
At this spring moult a special “nuptial” plumage is often assumed, as for example in many of the Limicolae, e.g. god-wits, knots, dunlin, ruff.
The sequel to this habit of assuming a nuptial dress is an interesting one. Briefly, this plumage, at first assumed at the mating period by the males only, and doffed soon after the young appear, has become retained for longer and longer periods, so that the succeeding plumage, often conspicuously dull compared with the nuptial dress, is worn only for a few weeks, instead of many months, as in the case of many of the ducks, for example; wherein the males, as soon as the young are hatched, assume what C. Waterton has aptly called an “eclipse” dress. This, instead of being worn till the following spring, as in the waders, is shed again in the autumn and replaced by what answers to the waders’ “nuptial” dress. In the game-birds but a trace of this “eclipse” plumage remains; and this, apparently, only in jungle-fowl, the common grey partridge (Perdix cinerea) and the blackcock (Lyrurus), in whose case the head and neck for a short period following the breeding season are clothed only by dull feathers. Further, this more highly developed plumage becomes transferred, first to the female, then to the young, so that, in many groups, the dull phase of plumage is entirely eliminated.
But the assumption at the breeding season of a conspicuously brilliant plumage is not always due to a moult. In many birds, notably many Passerines, this change is brought about by shedding the tips of the feathers, which are of a duller hue than the rest of the feather. In this way the bright rose pink of the linnet’s breast, the blue and black head of the chaffinch, and the black throat and chestnut-and-black markings of the back of the sparrow, are assumed—to mention but a few instances. These birds moult but once a year, in the autumn, when the new feathers have broad brown fringes; as the spring advances these drop off, and with them the barbicels from the barbules
