Page:De Vinne, Invention of Printing (1876).djvu/92

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IMAGE PRINTS OF THE FIFTEENTH CENTURY.

landish school; the language is Flemish, and not Dutch. He further says: "These two prints (of Berlin and Brussels) complement each other; the print of Berlin shows their common origin; the print of Brussels indicates their date. It may be said that they were engraved in the Netherlands, probably in Flanders, and perhaps in Bruges, at the beginning of the fifteenth century."

The prints herein described are the earliest prints with dates, but they are not, necessarily, the earliest of all. There are prints known to collectors as the Crucifixion, the Last Judgment and the St. Jerome, which are regarded by many bibliographers as the work of unknown engravers at or about 1400. There is a print of St. George which competent judges say was done in the thirteenth century. None of the prints contain the name or the place of the engravers, but it is plain that they were made in the Southern Netherlands, as well as in Southern Germany. It would be premature to assume that they were made nowhere else; but it must be acknowledged that there are no image prints on paper which can be ascribed to any engraver in France, Italy, Spain, Holland or England, during the first fifty years of the fifteenth century. There is a plausible statement on record, which will be reviewed on another page, that artistic engravings on wood were made in Italy before this period. We find, also, a more questionable statement, that engraving on wood was practised in France before the year 1400—a statement based entirely on a print in the public library of the city of Lyons, with a printed date which has been represented as that of the year 1384. The age of this print has been denied. It is alleged, with every appearance of probability, that there is mistake or fraud in the numerals, for the costumes of the figures prove that the print should have been made in the sixteenth century.

The question whether image prints were first made in the Netherlands or in Suabia need not now be considered. It is enough to say that, although the Brussels print bears the earliest date, the manufacture of these image prints was more