less, almost all the primitive legends of the world are comedies, not only in the sense that they have a happy ending, but in the sense that they are based upon a certain optimistic assumption that the hero is destined to be the destroyer of the monster. Singularly enough, this modern idea of the essential disastrous character of life, when seriously considered, connects itself with a hyper-æsthetic view of tragedy and comedy which is largely due to the influence of modern France, from which the great heroic comedies of Monsieur Rostand have come. The French genius has an instinct for remedying its own evil work, and France gives always the best cure for 'Frenchiness.' The idea of comedy which is held in England by the school which pays most attention to the technical nice-
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