broken, but my word, never.' 'Die,' cries Balfour of Burley to the villain in 'Old Mortality.' 'Die, hoping nothing, believing nothing—' 'And fearing nothing,' replies the other. This is the old and honourable fine art of bragging, as it was practised by the great worthies of antiquity. The man who cannot appreciate it goes along with the man who cannot appreciate beef or claret or a game with children or a brass band. They are afraid of making fools of themselves, and are unaware that that transformation has already been triumphantly effected.
Scott is separated, then, from much of the later conception of fiction by this quality of eloquence. The whole of the best and finest work of the modern novelist (such as the work of Mr Henry James) is prim-
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