less crimson coronals off the lilies of the field.
The new collection of 'Tales from Tolstoy,' translated and edited by Mr R. Nisbet Bain, is calculated to draw particular attention to this ethical and ascetic side of Tolstoy's work. In one sense, and that the deepest sense, the work of Tolstoy is, of course, a genuine and noble appeal to simplicity. The narrow notion that an artist may not teach is pretty well exploded by now. But the truth of the matter is, that an artist teaches far more by his mere background and properties, his landscape, his costume, his idiom and technique—all the part of his work, in short, of which he is probably entirely unconscious, than by the elaborate and pompous moral dicta which he fondly imagines to be his opinions. The real
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