The Boy
again an individual matter. The only real point that is worth mentioning is that the action is wicked, because your grandmother has a right not to be beaten to death. But of this simple moral explanation modern journalism has, as I say, a standing fear. It will call the action anything else—mad, bestial, vulgar, idiotic, rather than call it sinful.
One example can be found in such cases as that of the prank of the boy and the statue. When some trick of this sort is played, the newspapers opposed to it always describe it as "a senseless joke." What is the good of saying that? Every joke is a senseless joke. A joke is by its nature a protest against sense. It is no good attacking nonsense for being successfully nonsensical. Of course it is nonsensical to paint a celebrated Italian General a bright red; it is as nonsensical as "Alice in Wonderland." It is also, in my opinion, very nearly as funny. But the real answer to the affair is not to say that it is nonsensical or even to say that it is not funny, but to point out that it is wrong to spoil statues which belong to other people. If the modern world will not insist on having some sharp and definite moral law, capable of resisting the counter-attractions of art and humour, the modern world will simply be given over as a spoil to anybody who
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