after this second visit to England, should have entertained for a time the notion of fixing his residence in a foreign land. It behooved him, furthermore, as a faithful follower of Lord Byron, to dwell in Italy. He says, with customary indefiniteness as to dates, that, in the footsteps of his hero, he "lived long enough at Genoa to find that his life there, along with the Shelleys, was simple, sincere, and clean. From Genoa I went to Florence, as the guest of our Consul General, Lorimer Graham. I wanted to live with Mr. Graham because he and his most amiable lady lived in the house occupied by Byron and the Shelleys, when they made their home in Florence. At Venice, under the guidance of Browning, who had left Florence to live in this latter place, after the death of his gifted wife, I found only the same story of industry, sobriety and devotion to art." Charles Warren Stoddard gives a glimpse of Miller's secretive life in Rome, picturing him driving out with the "Pink Countess," and declares that Miller's Italian novel, The One Fair Woman, 1876, with its epigraphs from Byron, Browning, Swinburne, and Hay, "embodies" much of Miller's Roman life, and is "one of the truest tales he ever told." Additional light on this period is thrown by Songs of Italy, 1878, a collection manifestly produced under the influence of Browning. The Ship in the Desert, published in book form in 1875, is preceded by an eloquent prose inscription to his parents, dated August, 1874, at Lake Como. At
