nent masses of buildings on the site of Thebes are called, the one the Palace of Karnak, and the other the Temple of Luxor, from the names of two native villages built near or within the ruined enclosures. The former was more than five hundred years in building. As an adjunct of the Palace at Karnak was a Hall of Columns, which consisted of a phalanx of one hundred and sixty-four gigantic pillars. Some of these columns measure over seventy feet in height, with capitals sixty-five feet in circumference.
In Nubia, beyond the First Cataract, is the renowned rock-hewn temple of Ipsambul, the front of which is adorned with four gigantic portrait-statues of Rameses II., seventy feet in height. This temple has been pronounced the greatest and grandest achievement of Egyptian art.
Sculpture: Sphinxes and Colossi.—A strange immobility, due to the influence of religion, attached itself, at an early period, to Egyptian art. The artist, in the portrayal of the figures of the gods, was not allowed to change a single line in the conventional form. Hence the impossibility of improvement in sacred sculpture. Wilkinson says that Menes would have recognized the statue of Osiris in the Temple of Amasis. Plato complained that
