oars, sinks soft as scattered petals on to the waveless waters of the lake.’
So captivated were they by this novel experience that they had soon lost all sense of whither they were faring or whence they had come. It was indeed as though the waters had cast a spell of forgetfulness upon their hearts, and when evening came they were still, as it seemed to them, gliding away and away across the lake, to the pleasant strains of the tune called The Royal Deer…. Suddenly the boats halted, the ladies were invited to go ashore, and to their complete surprise found that they were back again at the Fishing Pavilion.
This place was finished in a manner which combined elegance with extreme simplicity. The rooms were indeed almost bare, and as now the rival parties pressed into them, spreading along the empty galleries and across the wide, deserted floors, there was such an interweaving of gay colours as would have been hard to out-do. The musicians were again called upon, and this time played a sequence of little-known airs which won universal applause. Soon they were joined by a troupe of dancers whom Genji had himself selected, drawing up at the same time a list of pieces which he thought would interest such an audience.
It seemed a pity that darkness should be allowed to interfere with these pleasures, and when night came on, a move was made to the courtyard in front of the palace. Here flares were lit, and on the mossy lawn at the foot of the great Steps not only professional musicians, but also various visitors from Court and friends of the family performed on wind and string, while picked teachers of the flute gave a display in the ‘double mode.’[1] Then all the zitherns and lutes belonging to different members of the
- ↑ The mode of the second, beginning on alto A. Being so high it was very difficult to play. It symbolized Spring.
