remember—jasmine-sprinkled, faced with Courtier’s crimson and lined with russet. In each box was a note in which the recipient was begged to favour him by wearing these garments during the Festival of the New Year. He had taken a great deal of trouble over the business and could not imagine that any of the presents was likely to meet with a very bad reception. And indeed the satisfaction which he had given was soon evidenced not only by the delighted letters which came pouring in, but also by the handsome gratuities given to the bearers of these gifts. Suyetsumu was still living at the old Nijō-in palace, and the messenger who brought her present, having a quite considerable distance to travel, expected something rather out of the ordinary in the way of a reward. But to Suyetsumu these things were matters not of commerce, but of etiquette. A present such as this was, she had been taught long ago, a species of formal address which must be answered in the same language, and fetching an orange-coloured gown, very much frayed at the cuffs, she hung it over the messenger’s shoulders, attaching to it a letter written on heavily scented Michinoku paper, which age had not only considerably yellowed, but also bloated to twice its proper thickness. ‘Alas,’ she wrote, ‘your present serves but to remind me of your absence. What pleasure can I take in a dress that you will never see me wear?’ With this was the poem: ‘Was ever gift more heartless? Behold, I send it back to you, your Chinese dress,—worn but an instant, yet discoloured with the brine of tears.’ The handwriting, with its antique flourishes, was admirably suited to the stilted sentiment of the poem. Genji laughed afresh each time he read it and finally, seeing that Murasaki was regarding him with astonishment, he handed her the missive. Meanwhile he examined the bedraggled old frock with which the discomfited messenger had been entrusted,
