become a thief or an adulterer, or would die soon. And the memory of such a victory lasted many days, until it was followed by another, which put it out of mind. Every Trinquete court was a temple, and at midnight on a lucky day two Idols—one of the game and one of the ball—were placed on the top of the lower walls with certain ceremonies and witchcraft; and in the middle of the floor they sang songs and performed other ceremonies; then a priest from the great temple with other holy men came to bless the court. Certain words were said, the ball was thrown four times, as in the game, and after such ceremonies the court became consecrated and fit to play in, but not before."[1]
I cannot help thinking that Tlachtli must have been a much more complicated game than that which Herrera describes. To a tennis-player the presence of the rings in the wall would suggest the use of a net to divide the court; but it is useless to speculate on the rules of the game, and our only hope is that some more detailed and accurate description of the manner in which it was played may yet come to light, possibly as the result of Señor Troncoso's researches into the manuscripts of Padre Sahagun which have recentlv been discovered in Florence.
On the top of the wall above the rings and at the boundaries of the court I discovered the remains of what were evidently the marker's boxes.
At the southern end of the eastern wall there is no marker's box, but its place is taken by what must have been a most beautiful little temple opening towards the court. A restoration of this temple is given on the opposite page. Unfortunately for us, the builders made use of wooden beams instead of stone lintels with which to span the porch, and, as the wood decayed, the strangely-shaped capitals over-balanced by the heavy projections in the form of the tail of a rattlesnake, fell forward and carried the front of the building with them. The shafts and base of each column with the huge snake's head attached are still in place, and the restoration has been effected in the drawing merely by replacing the rattlesnakes' tails, which were found amongst the debris at the foot of the wall and carefully measured, and by continuing the ornament on the sides and back of the building across the front, so that no new feature is introduced.
The wooden beams forming the lintel above the doorway leading to the inner chamber of this building are still perfectly sound, and the lower one is beautifully carved, as are also the stone door-jambs. The walls of the inner chamber are covered with mural paintings, alas! now woefully mutilated. Unluckily I had no tracing-paper with me, but by the use of thin sheets of letter-paper I was able to trace some of the better-preserved pictures and to transfer them to drawing-paper. Above the doorway is a picture which
- ↑ Historia general, Dec. II. lib. vii. cap. viii.
