Hampton Court/Index
INDEX
Ambroise, Maistre, his "Francis I. and Eleanor," 174
Anne Bullen's Gateway, 8
Anne of Cleves, 57
Anne, Queen, 100; her alterations in the gardens, 133, in the chapel, 145; her bed, 170
Astronomical clock, the, 11
Bacon's Essay on Gardening, 119, 120
Base Court, the, 6
Battoni's "Pope Benedict XIV.," 199
Bellini,theportrait ascribedto him, 192
Bernhard van Orlay, his tapestry of the "History of Abraham," 165
Bosch, Jerome, his "fantastic representation of Hell," 193
Bray, Solomon de, his "Family Group," 198
Broad Walk, the, 131
Bullen, Anne, her badge, 8; apartments assigned to her, 43; her "tablet of gold," 51; she becomes Queen, 55
Caroline, Queen, as Princess of Wales, in; her alterations in the gardens, 135; anecdote of, 146; as Queen, 217 ;her friendship with Lord Hervey, 217; Lord Chesterfield's opinion of her, 219; the King's brutality to her, 221; her death, 223
Catherine of Aragon, 58
Cavendish, George, his contemporary memorials of Wolsey's life, 33, 35; his description of Henry's visits, 36, of the recep- tion of the French ambassage, 43; he carries the news of Wolsey's death to the King, 51; his description of Wolsey's ecclesiastical establishment, 140
Chapel, the, 139; Wolsey's ecclesiastical establishment, 140; accounts for years 1535 and 1536, 141; Henry's alterations, 141; the royal pew, 142 ;associations, 143; its restoration, 144; its present state, 154
Chapel Court, 131
Charles I., his pictures, 70, 179, 183; his new water-supply, 70; commencement of the Civil War, 70; his flight from London and
hurried visit to Hampton Court, 71; his return to the Palace after Naseby, 71; Sir Thomas Herbert's account of the King's last days at Hampton Court, 71; he prepares to escape, 78; his last days, 78; his execution, 79
Charles II., his return, 80; his honeymoon, 80; his life at Hampton Court, 80; his Queen, 81; his liaison with Barbara Palmer, 81; his life at Hampton Court, 82; his pictures, 198
Charles le Brun, his tapestry designs, 169
China, the, 156
Clock-court, the, 8
Clock-tower, the, 9
Clouet, Francois, his portrait of Mary Queen of Scots, 176
Conference of 1604, the, 146; its members, 147; the points propounded by the King, 147; differences of opinion, 148; the High Commission considered, 150; theological aspects, 152; James's opinion of it all, 153
Confessionary, the, 9; its restoration by Sir J. C. Robinson, 10; its character, 10; its ceiling, 171
Correggio, his "S. Catherine Reading," 192; his other pictures, 197
Cromwell, Oliver, his negotiations with Charles, 75; his occupation of Hampton Court, 79
Defoe, Daniel, his evidence as to Wren's designs, 23; his account of the royal dwellers in the Palace, 112; on William III.'s
garden, 126
Dobson, William, his portraits, 182
D'Oggionno, Marco, 193
Dossi, Dosso, his "S. William" and "Holy Family," 197
Drouais, his "Madame de Pompadour," 199
Dürer, Albrecht, his "redfaced man," 197
East Front, the, 19
Edward VI., his birth, 56; his early days, 57; his troubles as King, 58
Elizabeth, Queen, her detention at Hampton Court, 58; as Queen, 61; scandals, 61; her portraits, 176; Leopold von Wedel's description of her state, 62; her initials at Hampton Court, 63; Paul Hentzner's account of the Queen and the Palace,64; her death, 67
Embroideries, the, 58, 157
Evelyn, John, the diarist, 89; on Charles II.'s gardens, 124
Flower-pot Gate, 132
Fountain Court, the, 16
Fountain Garden, the, 18, 131
Francia, his "Baptism," 192
Frederica of Hanover, Princess, her apartments, 6, 228
Frederick, Prince of Wales, 222; the hasty drive to Saint James's, 223
Frog Walk, the, 133
Furniture, the, 170
Gainsborough's portraits, 200
Gate-house,the Great,5 ;its dignity gone, 6
George I., confusion and scandals in his court, 111; plays acted before him at the Palace, 111
George II.,the sordid character of his court, 218; his ill-temper, 220; his last visits to Hampton Court, 224; his anti-English
nature, 226
George III.,his ears boxedby his grandfather, 2; his desertion of Hampton Court, 224
Gheerardt, Marcus, the elder, 178
Gibbons, Grinling, his carvings at Hampton Court, 84, 145
Giorgione, his reputed "Shepherd," 194
Glass, the, 157
Great Canal, 123
Great Hall, the, 9, 13; its size and character, 14
Great Parterre, the, 132
Hampton Court, its historical associations, 2, 29, 30; architectural features, 3, 7, 18; external grandeur, 5; the interior, 20; the great galleries, 21; changes made since Wolsey's day, 22; its magnificence under Elizabeth, 30; under Wolsey, 36; it ceases to be a royal residence, 114; its English characteristics, 226; residents of later days, 228; its aspects to-day, 232; its memories of the past, 233, 235; a picture of its future by William Morris, 236
Haunted Gallery, the, 63, 142
Heere, Lucas da, his portrait of Elizabeth, 178
Henry VIII., his arms on the gateway tower, 8 ;his great hall, 9, 13; his visits to Wolsey at Hampton Court, 36; his covetousness, 42, 53; he enters upon possession of Hampton Court, 51; his additions and alterations, 51; his portrait in the
King's Gallery, 174
Hervey, Lord, 215; his quarrel with Pope, 217; his character and career, 218; his anecdotes of Queen Caroline and George II., 146, 220; denunciation of the King's anti-English nature, 226
Holbein, his reputed portrait of the Earl of Surrey, 175; his John Reskimeer, 175; other pictures, 175; his Tudor group, 198
Honthorst's "Family of the Duke of Buckingham," 179; other pictures, 182
Hoppner's "Marquis of Hastings," 201
Horn-room, the, 15; tapestry contained in it, 165
Howard, Catherine, 57; her ghost, 142
Howard, Thomas, Earl of Surrey, his portrait at the Palace, 174; Holbein's drawing of him at Windsor, 175
James I. at Hampton Court, 68; his reception of Christian IV. and of the Duke of Lorraine, 69
James II., 89
Janssen, Cornelius, his portrait of the Duke of Buckingham, 179
Jesse, Edward, 232
Kitchen, the Great, 13
Kneller, his "Beauties" of William and Mary's Court, 107; his portraits of William and of Peter the Great of Russia, 109
Lady-Housekeeper,the, 6
Laud, Bishop of Bath and Wells, 170
Leiden, Lucas van, his Crucifixion triptych, 198
Lely, Peter, his "Beauties of the Court," 83; his reputation, 83; history of his "Beauties," 85
Le Notre (gardener), 123, 125, 135, 136
Lepel, Miss, and Lord Hervey, 216
Lotto, Lorenzo, his pictures, 195
Mabuse,his "Adam and Eve," 198
Maiano, Gian da, his busts of Roman emperors, 12
Maid of honour, the life of a, 214
Mantegna, Andrea, his "Triumph of Julius Cæsar," 183,188; his style, 187; Rubens's imitation, 191
Marmontel's "Le Mari Sylphe," 211
Mary, Queen, her early betrothal to Francis I., 43 ;her marriage with Philip, 58; her favourite recreation, 58; Taylor's Sonnet to her, 60
Mascall,Eustace, 22
Maze, the, 128
Milton at Hampton Court, 80
Minstrels' Gallery, the, 14
Montmorency, the Due de,his reply to Henry Quatre, 42; his visit to Hampton Court, 43
More, Sir Antonio, 175
More, Sir Thomas, his "Utopia," 4; his predictions as to Henry, 34; Henry's visits to him at Chelsea, 36; his garden, 117, 120
Mornington, Countess of, 229; her apartments, 231
Morris, William, a picture of the Palace's future, 236
Mount, the, 132
Mytens,his portrait of Queen Mary, 176; a reputed portrait, 179; his style, 180
Ombre, the game of, 213
Oudry, P., his portrait of Queen Mary, 176
Parks and gardens, 115; under Wolsey, 116; under Henry VIII.,116, 118 ;under Edward VI., 118; under Elizabeth,119; under the Stewarts, 121; under Cromwell, 121; under Charles II., 122; under William and Mary, 125; the Wilderness,127; the Maze, 128; Queen Mary's exotics, 129; the wrought-iron gatesof William and Mary, 130; under Queen Anne, 133; under George I., 133; under George II., 135; under George III., 136; the birds and fish, 137; the great vine, 137
Parr, Catherine, 57
Pawsey, Mrs., her needlework for Queen Charlotte's bed, 170
Penn, Mistress, 57, 234
Philip and Mary, 58
Pictures, the, 171; the "Confessionary" ceiling,171; the Tudor pictures, 172; Elizabeth's porter, 172; scenes from the reign of
Henry VIII, 172; a family group, 173; portraits of Elizabeth, 176; Charles l.'s great collection, 179; artists of the Stewart age, 181; Mantegna's "Triumph," 183; sixteenth-century painters, removal of Raffaelle's Cartoons, Milanese school, Venetian school, 193; Ferrarese school, 197; Parmese school, 197; the Flemish and Dutch school, 197; Georgian age, 198; the West gallery, 201; the collection as a whole, and the public debt of gratitude, 204
Pond Garden, the, 138
Pope, Alexander, his "Rape of the Lock," 206; his quarrel with Lord Hervey, 217
{{small-caps|Queen's private chapel, the, 145
Queen Mary's Bower, or Hornbeam Walk, 106, 125
Raffaelle, a doubtful attribution, 193; removal of the Cartoons,193
Rembrandt's heads, 198
Robinson, Sir J. C,his restoration of the Confessionary, 10; his opinion of its ceiling, 171
Romano, Giulio, his "Cæsars" and other pictures, 193
Rubens,his doubtful "Sir Theodore Mayerne," 181; his "Dian," 181
Scott, Sir Walter, his opinion of the pictures, 171; his comment on Lord Hastings' death, 201
Seymour, Jane, she succeeds Anne as Queen, 55 ;her lodgings, 56; her death, 56
South front, the, 19
Tapestries, the, 157; Wolsey's tapestries, 158; the Tudor tapestries, 159; "Ye Triumph of Fate or Death," 160; "Ye Triumph of Renown,"162; "Ye Triumph of Time," 163; the Flemish tapestries, 164; the "History of Abraham," 165, 167; Elizabeth's tapestries, 168; George 1.'s tapestries, 169
Taylor's Sonnets, 59
Thomson's "Seasons," 133; his rhapsody on the Thames, 205
Tintoretto, his "Nine Muses" and "Queen Esther before Ahasuerus," 196
Titian,his portraits, 194
"Trophy gates," the, 5
Vandyke,his portrait of Charles I., 180; other pictures, 181
Verrio, his decorations at the Palace for Charles II, 88
Villiers, Elizabeth, 97, 130
Villiers, Francis, 79
Waller, Edmund, 181
Walpole, Horace, his anecdote of the Gunnings, 225
Watching-chamber, 15
Water Gallery, the, 106, 130
Wellesleys, the, 230
West, Benjamin, 201; his life and work,202 ;his "Death of General Wolfe," 203
William and Mary, their initials on the east front, 19; their respective rights to the sovereignty,94; death of Mary, 109
William III., his designs for the gardens, 18, 23; his connection with Hampton Court, 31; his state bedroom, 84; his claims to greatness considered, 90; his private character, 95; his part in the murder of the De Witts considered, 99; his inexcusable attack upon Marshal Luxembourg, 100; his complicity in the Glencoe massacre, 100; his character as King, 102; Hallam's opinion of him as King, 104; his preference for Hampton Court as a residence, 105; his intention to pull down the chapel, 144; wearing his hat in chapel, 145; his neglect of Mary, 106; his last years and death, 109
Windsor Castle, its inferiority to Hampton Court, 2
Withdrawing-room, the, 15
Wolsey, Cardinal, as architect, 3; his private rooms, 9; his Consessionary or closet, 9; his arms, 12; his claims to greatness, 32; as Statesman and Churchman, 34; his life at Hampton Court, 35; his gift of Hampton Court to Henry, 42; assignment of rooms to Henry and Catherine, 43; his reception of the French ambassage, 43; his fall, 50; his death, 51; his chapel and his ecclesiastical state, 139 Wren, Christopher, his colonnade, 11; his architectural style, 16, 18, 19, 25; his monogram in the Fountain Court, 17; his plans for the work, 23, 24; his dismissal from his post, 25; criticisms upon his work, 26; his work in the chapel, 142
Zuccaro, his reputed portrait of a porter,172; his portrait of Queen Elizabeth, 176, 178
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